Something in the world forces us to think. This something is an object not of recognition but of fundamental encounter. (DR 139)
Life when it is truly lived, is a history of these encounters, which will always necessarily occur beyond representation. See further reading of notes from Emotion Rescue research.
The execution of this work was performed through a sequence of sketching in charcoal and ink pen with photographic computer manipulation. Which seems fitting in relation to the ideas I aiming to portray of social networking and authority of experience. This is I feel in no way a sense of completion rather a initial starting point. The animation which is approximately 7.6 seconds has the potential to fulfil a longer more engaging work to create a activated space between the viewer and reality. Another conformation of animation is the extent of time 1 second of animation requires in creating and editing a frame, where approximately accumulating 8 hours of work for this sequence of 7 seconds of animation.
Further readings and explorations into this conventional space of animation is to look thoroughly into ideas of experience and encounter, ideas broadly visited with such luminous performance artist as Marina Abramovic
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