There have been
significant shifts in art, artists that critique and interrogate perceptions of
the human body. This however has been embedded and immersed not only in the
content and ideas surrounding the work, but also the way in which the art has
been formed in ways of canvas, brush, frame and platform. Physical and mental limitations as a
stable and finite form of self has been progressively eroded, which artists
have investigated the contingency, temporality and instability of the
body. By exploring the human body
we are immersed in ones identity, whether being notorious or concealed, we
become oblivious to the problematic formality of identity.
Identity, which is
not an inherent quality, rather it is acted out within and beyond cultural
boundaries. Therefore identity is never static, it is always changing and
corrupting as humans change and develop into age. It becomes a problematic
status in which an artist will never capture the true identity of one at that
exact time, and an increasing gap immerses, as the artist’s own perceptions and
decisions interfere with capturing that identity. In contemporary practice
artists prolifically use their own bodily existence more commonly within
performance, which lets the viewer capture and immerse in the identity of the
artist performing at that exact time and space with no extrinsic or material interference.
Warr, T. (Ed.). (2000). The artist's body. Phaidon.
Warr, T. (Ed.). (2000). The artist's body. Phaidon.
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